It has been already pointed out (introductory note to Reginsmol) that the compiler of the Eddic collection had clearly undertaken to formulate a coherent narrative of the entire Sigurth cycle, piecing together the various poems by means of prose narrative links. To some extent these links were based on traditions existing outside of the lays themselves, but in the main the material was gathered from the contents of the poems. The short prose passage entitled Drap Niflunga, which in the Codex Regius immediately follows the Helreith Brynhildar, is just such a narrative link, and scarcely deserves a special heading, but as nearly all editions separate it from the preceding and following poems, I have followed their example.

With Sigurth and Brynhild both dead, the story turns to the slaying of the sons of Gjuki by Atli, Guthrun's second husband, and to a few subsequent incidents, mostly late incorporations from other narrative cycles, including the tragic death of Svanhild, daughter of Sigurth and Guthrun and wife of Jormunrek (Ermanarich), and the exploits of Hamther, son of Guthrun and her third husband, Jonak. These stories are told, or outlined, in the two Atli lays, the second and third Guthrun lays, the Oddrunargratr, the Guthrunarhvot, and the Hamthesmol. Had the compiler seen fit to put the Atli lays immediately after the Helreith Brynhildar, he would have needed only a very brief transitional note to make the course of the story clear, but as the second Guthrun lay, the next poem in the collection, is a lament following the death of Guthrun's brothers, some sort of a narrative bridge was manifestly needed.

Drap Niflunga is based entirely on the poems which follow it in the collection, with no use of extraneous material. The part of the story which it summarizes belongs to the semi-historical Burgundian tradition (cf. introductory note to Gripisspo), in many respects parallel to the familiar narrative of the Nibelungenlied, and, except in minor details, showing few essentially Northern additions. Sigurth is scarcely mentioned, and the outstanding episode is the slaying of Gunnar and Hogni, following their journey to Atli's home.